Stop me if you’ve heard this one before: a ginormous corporation wants to strip a lush, beautiful (but primitive) environment of all of its natural resources, and the people who live there are none too happy about it. Or this one: a military man finds himself spending time with a beautiful (but primitive) civilization, falls in love with a woman from said civilization and eventually chooses to side with them against his own people. Add those two stories together and stir in quarter of a billion dollars of groundbreaking special effects, and you’ve got James Cameron’s AVATAR.
Twenty-some-odd years ago, an alien spaceship parked itself over Johannesburg, South Africa, presumably because the alien intelligence knew that was the single best place to go if it wanted to make itself into a heavy-handed metaphor for apartheid.
It’s easy enough to mock Ben Affleck after the downward trajectory into ridiculousness his career took, especially between 2002 and 2005 when he was conceptually inseparable from Jennifer Lopez and made a tremendous number of terrible, terrible movies. But I’m not going to mock him now: his directorial debut, Gone Baby Gone (for which he [...]